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re: Boston Herald Meat Review

Posted by:
Vin 02:17 pm UTC 08/28/07
In reply to: re: Boston Herald Meat Review - Jacqueline 12:02 pm UTC 08/28/07

Yeah, the covers are a horrible idea, especially when such fan faves as 2 Out of 3 and Objects are being cut, not to mention the "singles" from Bat III like IACBTMN, BaaB and TMIL.

If I'm paying $75.00 to hear Meat Loaf murder vocals, at least let them be Jim Steinman's slaughtered lambs.

Justin and I left before the encores.

> Seems like the writer was making a strong attempt to be
> fair with the review. Meat's announced "encore" dates in
> Europe so the tour rolls on. I hope he, at least,
> reconsiders those awful covers he closes the show with.
>
> > By Christopher John Treacy
> >
> > Tuesday, August 21, 2007 - Updated: 05:07 PM EST
> >
> > While the fact that Meat Loaf still performs may be
> > amazing, the performances themselves are not. But because
> > the first twoalbums in the “Bat Out of Hell” trilogy
> > respectively sold 37 and 15 million copies, folks still
> > turn out in droves to see him.
> >
> > And it’s not as if he doesn’t give it his all. But with
> > his 60th birthday coming next month and a diagnosis of
> > Wolff-Parkinson-White syndrome, a heart condition that
> > puts him at risk for sudden death, rock ’n’ roll’s
> > quintessential big boy seems worse for the wear.
> >
> > Monday night for a well-attended gig at the Bank of
> > America Pavilion with his trusty eight-piece band,
> > Neverland Express, Meat Loaf drew from all three “Bat”
> > discs and left his other releases untouched. The band
> > played a passage from “All Revved Up” before the Loaf
> > appeared for “If It Ain’t Broke, Break It,” off the third
> > and latest “Bat” installment.
> >
> > With his trademark red kerchief dangling from his
> > microphone stand, Meat Loaf poured much energy into
> > readings of “Out of the Frying Pan (And Into the Fire),”
> > the amusing “Love Is a Lemon” and “You Took the Words
> > Right Out of My Mouth,” complete with the retro video clip
> > featuring Karla DeVito lipsyncing to Ellen Foley’s vocal.
> >
> > But try as he did, the magic eluded him. He sounded weak,
> > barely able to enunciate, and his hand shook profusely
> > while he barked lines. Actually, it was hard to watch.
> >
> > In contrast, the Express’ playing brimmed with appropriate
> > arena bluster. And the backup gals helped: in particular,
> > Aspen Miller stepped out for leads during “I’d Do Anything
> > for Love (But I Won’t Do That)” and “Paradise by the
> > Dashboard Light.”
> >
> > Dave Luther’s “Rock and Roll Dreams” sax solo was
> > memorable and inspired. But the better the band sounded,
> > the more Meat Loaf seemed buried beneath its weight.
> >
> > By the oddball assortment of encores, including a cover of
> > the Stones’ “Gimme Shelter,” this bat had flown.



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