It already is a crossbred version of Neverland and Tanz, a crossbreeding that never should have happened.
The original invitation is so much better, short and to the point as opposed to the long drawn out Devil may care/Invitation/Apocalypse stuff that is apparently designed to put her to sleep asap so he can grap a quick bite without her struggling.
Not to mention that sung-through is way better than inserting a ton of dialogue. I thoroughly agree with Kunze there, singing dialogue is unreal, hence the shows are sung through as not to have a breach in the show reality, while endless dialogues (many of them from earlier concept shows or albums in this particular case) interrupted by shortened and weakened songs is a breach. What's even worse is that they inserted annoying spoken words in the songs.
Possibly it's the best version of DotV, and it showcases how much worse all subsequent versions became.
At least Bat the Show will not have the legacy of a successful foreign show that it could be compared to.
>
> The script is my favourite version of "Dance of the
> Vampires". EVER. I don't know who exactly wrote it, since
> there's no credits on the front cover, but it's
> PHENOMENAL. Read the GHLTB scene, and "Invitation To The
> Ball" and "Read My Apocalypse". "Carpe Noctem" makes sense
> as an Act 1 Closer and (maybe) "I Need All The Love I Can
> Get" could have been used in the Nightmare Sequence. I
> dunno. But this script has blown me away EVERY TIME I'VE
> READ IT over, sheesh, 4 years?
>
>
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