Heh. No, you haven't missed anything.
But I figure that assuming the Bat musical bares some sort of fruit within two or three years, then compared to the ten+ years it's been since anything new, that ain't too bad.
> Care to elaborate on 3 & 4? Have I missed something?
>
>
> > 1. The timbre of Todd's rhythm guitar in 1981's Out of the
> > Frying Pan
> >
> > 2. Rory's voice on Making Love when he says
> > ‘spotlight’ in the first bridge part
> >
> > 3. The fact that, very soon, Jim will have something new
> > for us all and any mystery surrounding the reasons for the
> > long term silence and ‘he said /she said’ awkwardness
> > since the TMiL debacle will all pale into
> > insignificance
> >
> > 4. The fact that, very soon, Jim will have something new
> > for us
> >
> > 5. The rich, rich bass sound of Jim's left hand hitting
> > octaves in the demo of Making Love
> >
> > 6. Making Love
> >
> > 7. Don't Let Go by Ellen Foley
> >
> > 8. Jeff Bova, and his unparalleled ability to turn a synth
> > into a fucking 50 piece orchestra plus choir. He's my
> > hero, hope he's still in Jim's entourage.
> >
> > 9. The riff from Good Girls / Seize The
> > Night. Would happily see this pop-up again and again
> > and again.
> >
> > 10. The drums on For Crying Out Loud by John
> > Wilcox. So melodic.
> >
> >
> > and HONOURABLE MENTION:
> > I listened to my version of Land of the Pig the
> > other day for the first time in ages. It's actually a lot
> > better than I remember it being! (lol…)
> >
> >
> >
> > That is all. What about you?
> >
> >
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