re: Beethoven's Last Night | |
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Pudding 10:47 am UTC 12/27/06 |
In reply to: | re: Beethoven's Last Night - rockfenris2005 09:46 am UTC 12/27/06 |
The cast for the most (ignoring Crawford) part get told to play a certain role a certain way, the parts they were told to play they played them well. That in itself is a plus. You might not like the adaptation, for which I agree, but to say it's 100% utter crap like what you did, is just 100% utter bullshit, and you're not giving credit where credit should be given, to those who did the very best job they did. Which counts for about 80% of the show. Your narrow-mindedness, just like what it is for Bat3 and Meat Loaf, makes your arguments worthless. Pud > > Oh dear... here we go... > > Cast (I admit, this is the fault of the director in most > cases) > > 1) Michael Crawford - let's not go there > 2) Rene Auberjonois - why does he play it so seriously? > The Professor was a comedian in Vienna > 3) Max Von Essen - Alfred is not meant to be brave, he's > meant to be shy and timid. Max plays it like Raoul in > Phantom bordering on Enjolras in Les Mis > 4) Mandy Gonzalez - She belted everything and had no > subtlety whatsoever. And what was with all the "clueless" > American accents in Lower Belabartokovich, Transylvania? > 5) Ron Orbach - Where did Tevye and "Fiddler on the Roof" > go? > 6) Leah Hocking - Magda is a refined maiden who never > encourages Chagal's behaviour. In this show, she's played > as the town slut. Leah really plays that up as well > 7) Liz McCartney - How come Rebecca never has a moment > alone? > 8) Marc Price - What the fuck is the deal with this guy? > Where did Koukol the hunchback go? > 9) Asa Somers - What a lame offensive stereotype of gay > people. Herbert in Germany was refined and subtle > > Creative Team: > > 1) John Rando - Did this guy have any clue what he was > doing whatsoever? A director is not supposed to have three > shows at war with one another, he's not even supposed to > have anything at war, everything is supposed to be > unified > > 2) John Caraffa - He actually told the cast to dance > whatever, "rock on", making up the moves, which is the > reason why the choreography looks so shit > > 3) David Gallo - Wrong scenery for the wrong story. It > looks like an innocent fairy tale, "Beauty and the Beast", > and it's too big in place of the stunning yet intimate > scenery of Dudley > > 4) Ann Hould-Ward - Where's the subtlety? How come it > looks like a Disney parade covered in vomit? > > 5) Ken Billington - A light-rape of the audience, sure.. > that's artistic > > 6) Richard Ryan - Sound that completely deafens you > > 7) David Lawrence & Angelina Avallone - Hair & make-up, > just as hideous and un-subtle as the costumes > > 8) Patrick Vaccarielo - How come everything sounded like a > huge massive drum all the time, you could barely hear the > other instruments. This guy was CONDUCTING! > > 9) Steve Margoshes - How come he let his beautiful > orchestrations sound like the ear-rape they did on > Broadway? > > 10) Michael Reed - How come he let his beautiful > arrangements sound like the ear-rape they did on > Broadway? > > 11) Bernard Telsey Casting - You idiots! > > Minskoff Theatre -- Much too big a venue > > December 2002 - Christmas and post 9/11 > > David Sonenberg - The moron who produced this piece of > crap, not the only time he nearly ruined Jim's career. > > The producers - Biggest bunch of hacks, Bob Boyett did > fuck-all advertising for Webber's "The Woman In White" and > it closed in a month. It would have ran at least a year > and made it to the Tonys. This idiot also spent thousands > and thousands on the commercial after everyone already > knew DOTV was doomed from the bad reviews. > > These producers were an assortment of hacks, an arrayment > of amateurs > > See, I can find nothing good to say about this production. > The only good thing I can say is that it closed and did > not risk the future of the masterpiece playing in Germany > > > > | |
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