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| re: Dance in my pants | |
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pidunk 06:57 pm UTC 07/21/07 |
| In reply to: | re: Dance in my pants - TommyCool 05:00 pm UTC 07/21/07 |
> Thanx for all the words, but id rather have an opinion of > someone who sticks to the facts instead of making up her > own, Mrs. Steinman. (or was it Mrs. O Brein ?) > > > I don't have to know very much about Jim or his music in order to see the ties that I refer to between these works, but I understand that when someone cannot have an opinion of their own, they may be discriminating as to whose opinions they accept. That is fine, I only want to lead others to thought, not inject my thoughts unto them. However, if you really want to refer to me as a Mrs of anything, that would be Cypherd. > > > > > According to several sources (incl the RR) DIMP was > > > written for Neverland, so before Paradise. Thanx for > > > bringing this up, because i always wanted to ask this > > > question, since there are no recordings of the original > > > DIMP song for Neverland. Does anyone know if its the exact > > > same song as we hear on BFG ??? > > > > > It would surprise me to see this in the Neverland work, > > and it did occur in the Neverland work that is shown in > > the publications reprinted on this site, but indeed is > > shown as not available on the page that has some > > downloads. Further, the part of the transcript which > > includes this has been omitted, with the apology for its > > incompleteness. > > > > Now I will say my opinion of this. Dance In My Pants is > > well compared with the incidents of themes in RH. > > Philosophically these items are tied. Even if we take the > > version that we know of it, it is my opinion of this. I > > have not yet heard the early stage performed work with > > this title. But, the actual theme of Neverland does not > > give much to reverie, yet could have taken a point of > > reverie as rebellion in preparation for the later > > admonishments by characters in the script. Neverland is a > > dark play even as some elements are amusing. And you may > > not notice it with all the music, but RH is a dark story > > as well, with elements amusing. One has a historian, and > > one has a criminologist, doing basically the same things > > with varying degrees of polish between their differing > > dramatic structures, but both are dressed > > inachronistically, and both are narrators giving leads to > > the chapters of the stories, addressing the audience as a > > visible character. The historian wants to tell the > > audience "tonight's history", and the criminologist says > > "I would like, if I may, take you on a strange journey." > > as he begins to tell the story of one night's history. > > > > > > > > > > > > > > | |
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