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re: You Pay for What You Get

Posted by:
Vin 02:53 am UTC 07/02/09
In reply to: re: You Pay for What You Get - John_Galt 07:14 pm UTC 07/01/09

Yeah, I didn't mean for it to be this dark back when it was just a title and a little chorus. I thought it would be more like PBTDL, plot-wise, in that a guy would probably get sucked into a bad relationship due to a one-night stand. Once I started with the verses, though, it became more of a number for "Fatal Attraction: The Musical." (with a nod to "Seven" thrown in for good measure.)


That's my favorite line here, too!

Thank you for the kind words.

> Very, very dark. My favorite line:
>
> "I wonder if she smells at all my shadow's scent on you"
>
> I also thought that the woman's use of terms of endearment
> like "honey" and "boy" after a brief sexual affair
> resounded as particularly creepy. I'm not sure about you,
> but people -- and women, in particular -- who use pet
> names and terms of endearment without knowing you really
> well sound either (a) condescending or (b) emotionally
> unstable and crazy. It's a pretty big warning sign that
> you could sleep with a woman, but you shouldn't even think
> about it.
>
> As usual, what I like best about your creative postings is
> that the character/narrator's state of mind kind of
> develops or grows more clear by the end of the song. The
> effect here is terrific. It's almost like we go from a
> girl who could be sad or jealous to a girl who has let
> those emotions drive her to craziness and then to evil.
>
> [Apologies to all the feminists out there who thought this
> lyric was about a heroine asserting her self-respect.]
>
> -=John Galt=-
>
>
>
> > I think I posted just the chorus of this a couple years
> > ago (that's all I had!). Finally got around to fleshing
> > it out into a full set of lyrics.
> >
> > As always, feedback is appreciated. You guys are my only
> > outlet!
> >
> >
> > Vin
> >
> >
> >
> > You Pay for What You Get
> >
> > Another unanswered phone call, pretending you’re not home
> > But the car that’s in your driveway speaks the truth,
> > You’re not alone
> >
> > Two shadows in the window, making nice like shadows do
> > I wonder if she smells at all my shadow’s scent on you
> >
> > You asked me for my name and number
> > I gave you so much more
> > I took you home and made you whole,
> > When you were half a man with her
> > I didn’t ask for your commitment
> > I know its somewhere else
> > But honey I’m no broken toy
> > Sitting quiet on the shelf
> >
> > We said “no strings” but there’s no such thing
> > Be warned, boy, and never forget:
> > Nobody rides for free anymore,
> > And you pay for what you get
> >
> > What kind of lies did you tell her, so you could lie with
> > me?
> > And how’d you strike that girl so blind
> > That she just couldn’t see?
> >
> > But she’s pretty when she’s sleeping, such a pity to
> > disturb
> > Its only you and I now, boy, we get what we deserve
> >
> > Don’t ask me what’s inside the box
> > Your secret’s safe with me.
> > Just brace yourself and peek inside
> > And tell me what you see.
> > They’re pieces of the heart you broke
> > Although she never knew.
> > There was a man of her dreams and a man in my bed
> > And both of them were you
> >
> > We said “no strings,” just a one-night fling,
> > But this night isn’t over quite yet
> > Nobody ride’s for free anymore
> > And you pay for what you get
> >
> > No, even the first taste ain’t free anymore
> > And you pay for what you get!
> >
> > Don’t look so surprised, and boy don’t you cry
> > You’re only reaping the seeds that you’ve sown
> > You can’t straddle two fences without consequences,
> > Comeuppance will find you for all your offenses,
> > Even the ones you disown.
> >
> > And she’s so pretty when she’s sleeping
> > Remember her that way
> > She’s better off than both of us
> > And that’s just how she’ll stay
> >


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