| re: Not Allowed To Love/ Jim Needs Better Publicity | |
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Posted by: |
Rupert 01:14 pm UTC 07/05/11 |
| In reply to: | Not Allowed To Love/ Jim Needs Better Publicity - steven_stuart 12:56 am UTC 07/05/11 |
| He won't take a rocket scientist that you should go to people like Karen Brady and pitch the idea of backing the BOOH musical to a certain degree. I am prepared to contact these people if financial backing is the issue with BOOH musical? I do this type of job for heads of the largest High Tech companies in the world - don't see it a big problem for others. But I will only do it if we get rid of the Peter Pan Juxtapostion concept because it confuses the message. > I really love the song "Not Allowed To Love" that Jim > wrote for the "Batman" musical. You can hear several > versions of it by visiting the demos section of Ryan's > "Batman" website (link below). As Ryan suggests on the > site, it may find a new home in "BOOH: The Musical", which > would be really cool because its a wonderful song and I > would hate for it to be forgotten. > > Although Ryan has done an excellent job of keeping the > memory of the song and the musical that it was originally > written for alive. > > I was listening to Magic FM on Friday (one of the biggest > UK radio stations) and they kept saying: "Be the first to > call when we play Bonnie Tyler's "Total Eclipse Of The > Heart" and you will win 10,000 pounds!" > > I listened for two hours but they didn't play it. But > still, I presume that someone eventually won ten grand for > hearing one of Jim's masterpieces. > > Jim has said that "Who Needs The Young?" is not "radio > fodder" (which is true) but its great that he does have > some very radio friendly songs. > > Karen Brady was the only female soccer manager in the > premier league here and she was on "Desert Island Discs" > (a very popular radio programme where celebrities choose > eight pieces of music that they would want if they were > stranded on a desert island) and, out of eight pieces of > music, she chose two Jim songs, "Anything For Love" and > "Total Eclipse Of The Heart". > > Jim's work is everywhere but I think he needs a really > good publicist, so that absolutley everyone knows who > wrote these wonderful songs. > > I can think of eight UK commercials that have used Jim's > music in the last two years. > > Meat Loaf is constantly being featured on cable televison > channels here (concerts, documentaries, a TV movie, SNL) > and he really is the Frankenstein monster that Jim > invented (no disrespect to Meat intended - just respect > for Jim). > > ALW, Roman Polanski, Barbra Streisand and many others have > wanted to work with Jim. Its really amazing if I stop to > think about it. > > "Tanz" is the most successful show in German history. I > think. > > Jim should be at least as famous as ALW. Anyone who can > write a song like "Not Allowed To Love" should be. > > There is no problem as far as recognition goes with UK > media people. The Evening Standard is the most important > newspaper for the arts in the UK (the "BOOH: The Musical" > ad was in The Standard). Their music critic was reviewing > a Celine Dion concert. He said that Celine was wooden and > boring when singing songs by "hacks" like Diane Warren but > that she came to life and showed her true potential as an > artist when singing "Its All Coming Back To Me Now" by > "the genius Jim Steinman". > > The fact that UK media people are so familiar with Jim > should make a good publicist's job easy. Terry Wogan > played "Rock And Roll Dreams" (the Jim/Rory Dodd version) > and said that it was one of his favourite tracks of all > time. | |
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